Open Chambers: Hindemith & Shostakovich (2018)

Second Soprano
Opera 5

Rachel Krehm’s soprano, with its timpanous resonance, rose to meet the occasion of the muscular utterances characteristic of a string section by Shostakovich.

Schmopera - Michael Zarathus-Cook
Krehm’s steely, almost fearsome sound...found space for her powerful instrument in the shocking expanse of Shostakovich’s Russian settings.

Schmopera - Jenna Simeonov

Soprano 2: Rachel Krehm; Soprano 1: Jacqueline Woodley; Photocredit: Dahlia Katz

Soprano 1: Jacqueline Woodley; Soprano 2: Rachel Krehm; Photocredit: Dahlia Katz

Soprano 2: Rachel Krehm; Violin: Yosuke Kawasaki; Photocredit: Dahlia Katz

Soprano 2: Rachel Krehm; Violin: Yosuke Kawasaki; Piano: Vadim Serebryany; Cello: Wolfram Koessel; Soprano 1: Jacqueline Woodley; Photocredit: Dahlia Katz

Soprano 2: Rachel Krehm; Soprano 1: Jacqueline Woodley; Violin: Yosuke Kawasaki; Piano: Oboe: Melissa Scott; Vadim Serebryany; Cello: Wolfram Koessel; Photocredit: Dahlia Katz

Show Program:

Oboe Sonata – Hindemith

Die Serenaden – Hindemith

Seven Romances on the poems of Alexander Blok – Shostakovich

Cast:

Soprano 1: Jacqueline Woodley; Soprano 2: Rachel Krehm; Viola/Violin: Yosuke Kawasaki; Cello: Wolfram Koessel; Piano: Vadim Serebryany; Oboe: Melissa Scott

Creative/Production Team:

Director: Patrick Hansen; Lighting Designer/Production Manager: David DeGrow; Stage Manager: Tamara Vuckovic

Open Chambers: Hindemith & Shostakovich (2018)

Second SopranoOpera 5

Rachel Krehm’s soprano, with its timpanous resonance, rose to meet the occasion of the muscular utterances characteristic of a string section by Shostakovich.

Krehm’s steely, almost fearsome sound...found space for her powerful instrument in the shocking expanse of Shostakovich’s Russian settings.

Ariadne auf Naxos (2019)

Die Fledermaus (2016)

Connect with Rachel on Social Media

Second Soprano
Opera 5